Aashayein gives John Abraham loads of scope to emote and he manages a bit here and a bit there. But looks like the actors, writer/director, Nagesh Kukunoor and thus the audience lose it as the movie slogs along to the end. The metaphors are thrown at your face and explained in excruciating detail. And yet you don't know why the director/writer did what they did.
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Hello Darling aims to take a decent premise and juice the sense out of it. It looks like it succeeds, even beyond the imagination of the makers. I understand drop in production values because of low budgets, but making fools out of decent actors is inexcusable.
We Are Family =
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