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The Adventures of Tintin - The Secret of the Unicorn - Review

A wogma guest review by Pradeep Menon

The Adventures of Tintin - The Secret of the Unicorn

wogma rating: Add to 'must watch' list (?) - Tintin and animation fans MUST watch it on the big screen
quick review: The Adventures of Tintin, directed by Steven Spielberg, is a visual treat for lovers of animation films and fans of the comic book series. Though the story isn’t particularly great, the character quirks and perhaps the best animation seen to date ensure that the film keeps you entertained. The iconic comic book characters are brought to life in a way that the big screen hasn’t yet experienced. The dialogue will make you smile, and the action set pieces are thoroughly enjoyable. Purely for its visual appeal, this is a film that you might just enjoy on the big screen with family and friends.
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[Poster for The Adventures of Tintin - The Secret of the Unicorn]

When a little middle-class boy with big dreams in his eyes proclaims that he wants to make films, the first gentle rebuke he will probably hear is, ‘So, you want to be Spielberg?’

Such is the influence of the man – a man praised and criticized in equal measure. However, irrespective of which side of the fence you are on, there is no denying that few men have had the kind of influence on any facet of human history, as Steven Spielberg has had in the field of audio-visual entertainment.

Spielberg’s latest, The Adventures of Tintin: The Secret of the Unicorn, is exactly that - an entertaining film that is perhaps the closest that a big-screen adaptation has come so far, in capturing the essence of some of the most endearing and enduring comic book characters of all time.

That Tintin, Captain Haddock, Snowy, and of course, Thomson and Thompson will bring a smile on your face is a given. Their quirks, their dialogue and their ‘unquenchable thirst for adventure’ have been brought alive by producers Steven Spielberg and Peter Jackson in a revolutionary new way.

Motion capture combined with incredible detailing in VFX brings the animation to life in a manner never seen before. Every reflection, every droplet of water, every tiny movement of human hair is unbelievably life-like. Only the characters’ faces (and at times their actions) betray that what one is viewing is indeed animation.

Be it an incredible mid-sea battle amidst a raging inferno or a superb bike chase through the streets and homes of Morocco, the film is riddled with enthralling set-pieces that will make more than a few jaws drop. The film is rich in colour and more importantly, it is rich in atmosphere – something that goes a long way in sucking the audience in to the story. John Williams’ music score more than plays its part in enriching the atmosphere that the film manages to create.

While the 3D in this film isn’t as big a waste as it has been in so many films, one still suspects that watching the film in 2D will not detract from the visual experience in any way. If anything, the colours are bound to be richer once the dark glasses are off.

The department that the film suffers the most in is the script. The mystery itself isn’t as mysterious as one would have liked. The twists and turns are there, but there is really nothing that will make you sit at the idiomatic edge of your seat. However, the quirkiness of the characters, particularly Captain Haddock, makes up in part for the deficiencies in the script. The characters keep you entertained at all times.

Yes, that aspect which Spielberg is criticized the most for is present all over this film – the manner in which it is moralistically sanitized. The edginess, the layers, the nuances of real human behavior and the shades of grey that someone who is not a Tintin or an animation fan would want are noticeably absent. This is the one area where this film would fall behind iconic Pixar films like Finding Nemo, Toy Story and Wall-E.

Ultimately, The Adventures of Tintin is an entertaining film for children as well as adults, particularly those who enjoy animation. The realistic animation is a visual treat, and there would be few who would not feel an adrenaline rush at least once during the film. Make no mistake, as far as animation technique in cinema is concerned, the envelope has been pushed. Even we who feel that audio-visual entertainment and cinema are often worlds apart would have to agree.

This review is by guest reviewer Pradeep Menon. Pradeep is a filmmaker and a dreamer. He loves books, rain, winters, tea and his parents. Cinema, however, is the only truth he believes in. He breathes and bleeds film, mostly in hues of saffron, white, green and blue. You can watch his short films at www.youtube.com/cyberpradeep.

Parental Guidance:

Advisable, but not absolutely necessary.
  • Violence: A number of action sequences and fist/sword fights.
  • Language: Clean
  • Nudity & Sexual content: None whatsoever
  • Concept: An adventure involving popular comic book characters
  • General Look and Feel: Near-lifelike animation that is rich in feel

Detailed Ratings (out of 5):

  • Direction: 3
  • Story: 2
  • Lead Actors: 4
  • Character Artists: 3
  • Dialogues: 3
  • Screenplay: 2
  • Music Director: 3
  • Lyrics:

The Adventures of Tintin - The Secret of the Unicorn - Movie Details

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The Adventures of Tintin - The Secret of the Unicorn - All reviews summary

Twitter Reviews

On twitter, 20 twitterers have given The Adventures of Tintin - The Secret of the Unicorn an average rating of 4.6/5.0. 18 yays, 1 nays, 1 so-so. See all tweets »

Readers' Ratings

3 readers have given The Adventures of Tintin - The Secret of the Unicorn an average rating of 5/5.0. 3 yays, 0 nays, 0 so-so. See all reader reviews »

Comments (4)

Tintin:

The reviewer is really funny; these paras are too good.

"The department that the film suffers the most in is the script. The mystery itself isn’t as mysterious as one would have liked. The twists and turns are there, but there is really nothing that will make you sit at the idiomatic edge of your seat. However, the quirkiness of the characters, particularly Captain Haddock, makes up in part for the deficiencies in the script. The characters keep you entertained at all times.

Yes, that aspect which Spielberg is criticized the most for is present all over this film – the manner in which it is moralistically sanitized. The edginess, the layers, the nuances of real human behavior and the shades of grey that someone who is not a Tintin or an animation fan would want are noticeably absent. This is the one area where this film would fall behind iconic Pixar films like Finding Nemo, Toy Story and Wall-E."

Really Mr Reviewer, what is the problem with the script? The film follows the story of the Tintin comics of the same name, The Secret of the Unicorn and Red Rackham's treasure. It is nothing that has been dreamed up by the script writers. Spielberg has stuck to the source material and that is it. It is totally swashbuckling; pirates, lost treasure, chases galore, near death situations, and redemption for Haddock.
Two, the Tintin comics were never "gray and edgy" etc etc; they were supposed to be good clean entertainment at least according to the author. But it is very well known that Tintin started life as a strip for a right wing magazine, in many ways he embodies the ideology of Aryan purity and white supremacy. There is a whole host of literature on the Tintin comics themselves which analyse the subtexts present in the comics. The racism and the colonial mindset is very obvious. But for a small boy who reads these comics none of these matters; what matters is the fabulous characters, the exotic settings, the literally hair raising adventures, and the final triumph of good over evil. The film captures all of this and more, not to mention some fabulous sarcastic asides by Tintin with reference to Haddock.

And I wonder whether you have any clue regarding the technicalities of animation? The film is an amalgamation of live footage, 3 D animation, motion capture techniques, as well as 3 D computer generated spaces and cameras.

I suggest you stick to whatever else that you do, and not write reviews which are unintentionally funny!

Pradeep Menon:

@Tintin:
Kya re Tintu, bura maan gaya?
First of all, I haven’t spoken about the source material even once in my entire review. The reason for that is that film is a completely different medium altogether. It is because film is so different from the written word that so many of us are interested in the mysteries of cinema in the first place.
I know that the film is faithful to the comics almost completely. I have repeatedly said that Tintin fans will truly enjoy the film. Clearly, you are one of them, which is great news. All I was trying to say is that a number of people would not have read the comics at all, and a number of them will not find the mystery part of the film truly mysterious. Apart from my own reasons for believing this, I also got the same sense from the audience around me once the film was over.
Also, subtexts in the comic book series apart, I merely made an observation that Spielberg has stuck to the original material completely. Just to give you an example, there are others like Christopher Nolan who will give their own spin to the comic book characters that they adapt to cinema. It was a valid observation that I made, not criticism.
Admittedly, my knowledge of animation isn’t immense, even though I have made a couple of animation short films myself. All the techniques that you have mentioned have been in use for a while. I just chose to comment on the fact that with Tintin, the results of these techniques have raised the bar for animation films.
Essentially, you and I have said the same things. I guess the difference is only that I am ‘unintentionally funny’.

Vishal:

after reading the review ...and 2 comments i felt that 'pradeep menon bura maan gaya' ... if ur animation movies are like your justification .... Rajni helps indian animation industry

Pradeep Menon:

@Vishal:

Well, there was a personal attack in the comment by the Anonymous Mr. Tintin, so definitely main zara sa bura maan gaya. :)

Also, my animation films are terrible. I haven't dared to watch them since I made them. The only reason I mentioned it is because apart from motion capture, I have used other animation techniques. The techniques used in Tintin are not new, but the results of the techniques, i.e. what you see in the film, raise the bar for animation. Clearly, my command over the English language is terrible, because I seem to be unable to get this point across.

Lastly, no matter how bad my reviews and my understanding of cinema are, I stand by the review as well as the justification provided.

P.S. - I am still scratching my head over the last line of your comment. I'd love it if you would explain further. :)

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