wogma rating: Beg or borrow, but do watch (?) - Chick-flick warning!
Opposites attact, they say. But even the opposites had something similar that keep them together, for each other, and maybe even for ever. Similarities or differences - celebrate whatever it is that is the cause of your love. A chick flick that's not only for chicks.Read more
The whiff of the Arabian Sea. You smell it. The first few drops of rain on your sweating forehead. You sense them. The love that only a Mumbaikar can express for his city. You feel it. I'm getting all romantic on you. You dread it. But what do I do when I see two people just be so comfortable on screen - as characters and as actors. Not necessarily romantically in the "more than friends" sort-of a way. But romantically as two individuals who react and interact.
So, you got that? The number of times "romantic" and its derivatives have been repeated so far should indicate that you, the young lads, should already be planning that dinner date after the perfect date movie. And chicks, go watch this flick. The older generation on the other hand could empathize with the parents in the film.
Sid is a normal, college-going kid - neither the superstar of his college, nor the super-buffoon. Neither the teenage heartthrob nor the class dunce. He's carefree and proud of it. Aisha is serious and knows what she wants. Her practicality is not an exaggeration, nor is it understated - a regular, motivated girl. Their contrasts - evident. Their similarities - to be deciphered.
The first sequence in the film tells you this film is going take its own time to develop and unfold. And by the last sequence you know there isn't much unfolding to be done (except t-shirts and kurtis). The story is half-a-line and yet I'm going to be feel hurt on behalf of the makers if the audience complained, "there was no story!" At times when the movie goes deeper, it doesn't need too many words to describe the story.
And the more time I spent with Sid (Ranbir Kapoor) and Aisha (Konkona Sen Sharma), the more I wanted to know them. It felt better to see screen time being spent on the niceties of their relationship. It was good to see them grow closer to and fonder of each other. Aaawww…that's what friendships should be like. And then I was deprived of more. And I was hurt when one was oblivious to the other's emotions just to satisfy the hunger for drama. Whether it’s the maker's hunger or the audience's - I do not know. But annoyed I was, to see the twosome that got me into their drawing room, throw me out by their out-of-character, ignorant behavior. Those two, who were candid, lucid and were supposed to be best of friends until a few minutes ago.
Then there were the couple of side characters who were there just to throw in a punch. Anything to do with Karan Johar has to have some angle of parental love and associated dramatic moments. Whether or not they belong. And they do not belong here. Especially when you realize one of them has been caricatured just for that one punch line. The lines which were fine until then and later too. Smartly used by thinking and sensitive characters. And suddenly it's spoilt by one on-the-face line. While these individual characters didn't work, most of the interconnected relationships were well-developed with just a scene or two. But whatever bit the dialogue-writer lacked, was made up in the way the two protagonists were created.
Of course, kudos to the two actors, one maturing, and one who looks like she was born with fully-developed acting skills. The maturing Ranbir Kapoor will, I guess, be the industry's first candidate for the puppy-look, innocent boy. And yet not boy-next door. I enjoyed bits of their performances more because of how up-close I saw their expressions. Similarly there is this whole list of things that add value due to their absence. And top on my list is the conscious decision of not having that pause, that moment of awkwardness between a boy and a girl because of that hug, that touch. Its handled delicately and with finesse.
We were just getting used to a superficial attitude of making a film about the woman protagonist, but end up seeing the man claim glory. This one is equally Ranbir's and Konkona's. Yes, even though the title of the film contains the protagonist's name.
For a long-long time I've been watching out for a Hindi romantic film where the story is about the lead pair. That's it. Their emotions, their turmoil and nothing else. Love Aaj Kal was close and Wake Up Sid comes even closer. I guess some background noise is inevitable to satisfy our need-more-masala palettes. But, we are growing up as an audience and it's so heartening to see our masala-chef production houses walk hand-in-hand with us.
- meeta, a part of the audience
Thumbs up, B4U TV : ...It has a constant flow throughout; no over the top or understated drama; no ultra emotional strangulation of viewers; absolutely no yuppie cool guy act; and last but not the least, this is an original and energizing tale.... full review
Thumbs up, by full2faltu, Full2 Faltu : ...How a gorl from Kolkatta can afford a house in Bandra and paint and decorate it with no job in hand. I guess the answer would be cinematic liberties. ... full review
Thumbs up, by Jaiwantika Dutta-Dhupkar, fullhyd.com : ...In terms of style, Wake Up Sid is different from several of Dharma Productions' (the Karan Johar company) films, and debutante Ayan Mukherji has his own distinct touch.... full review
Thumbs up, by Rajeev Masand, IBN Live : ...Wake Up Sid might be described as a PG-13 version of a coming-of-age film what with its protagonist showing no signs of sexual awakening or romantic leanings at all.... full review
Thumbs up, by RK, Passion for Cinema : ...In most of the intense scenes between Aisha and Sid, being elder Aisha is able to catch the right message of a moment earlier than Sid as he has little or no idea at that moment... full review
Thumbs up, by Lidia Ostepeev, Planet Bollywood : ...The film’s strength lies in drawing out points of contact - authentic moments of distilled emotion that connoisseurs of Bollywood romance appreciate.... full review
Thumbs up, by Avijit Ghosh, Times of India : ...The change in the tenor of relationship between the lead pair as well as the texture of their own changing selves is detailed with diligence, delineated with tenderness... full review
Thumbs up, by The ThirdMan, Upper Stall : ...Few actors are as natural and carefree in front of the camera like Ranbir Kapoor and he captures every mood and shade of his character with total confidence... full review
So-So, by Baradwaj Rangan, Blogical Conclusion, The New Sunday Express : ...It has all the weight of a television commercial showing sad people transforming into happy people in the course of thirty seconds,... full review
So-So, by Neha Viswanathan, Within / Without : ...One thing that annoys me constantly when I watch films about Bombay/ Mumbai (there I’ve got both versions), is their inability to deal with Bombay as a city rather than just the piece of land right next to Marine Drive.... full review
Thumbs down, by Kaushik Chatterjee, Desicritics : ...She, like the aforementioned veteran actors, try to salvage what they can but there's only so much you can do to save a straw hut in the eye of a hurricane... full review
Twitter reviews for this movie are not available.
This page has additional observations, other than the ones noted in the main review.
A boy and a girl are the best of friends. They are contrasts and they need each other to discover the other half in them.