wogma rating: Add to 'must watch' list (?)
A relaxed pace is used to get into details of the protagonist's relationship with his lover and himself. Unfortunately, they forget that they are supposed to maintain the depth because of which the same pace now seems sluggish.
However, the twist is indeed worth the time because it's not 100% predictable. If nothing else Farhan Akhtar's ace performance is something you will relish for quite a while.Read more
The good news is that the film doesn't suffer from the first half-second half syndrome. The bad news is that it follows a bell-curve. It starts out real bad, gets very interesting, peaks and ends not only in jiffy but rather sloppily. Fortunately, the film is sprinkled with dialogues that are witty and crisp.
This is when it gets interesting. Obviously, a thriller is a thriller if you can't tell why is the character going through this. But, I like the ones in which you can't tell despite it staring you in the face. Of course, anyone can guess 95% of what's happening, but the next 5% comes as a surprise. Unfortunately, though you should've gone through a "aaaah, like that" moment what you feel is "blah!" when the mystery unfolds.
However, the romantic relationship between Karthik and Shonali (Deepika Padukone) is explored in quite some detail and is extremely engaging. It touches upon girls wanting nice and safe guys to misbehave. :) The contrast between the two characters is set-up nicely too. One avoids mobile phones because for him they were invented to plague his health. The other smokes. One enters the office along with the cleaners, the other around lunch-time. Despite this the romance is believable and done in a jiffy compared to the pace of the rest of the film.
Farhan plays the simple man whose world revolves around his job and his love interest (no rhyming words for nokri aur chhokri in English) to perfection. In my mind, he's still a director, but you see this man act and want to see every project he's involved in. The best bit is when Karthik gets into the loop and falls into a self-fulfulling prophecy. What is confusing to the entire world is plain and clear to him.
Deepika too does a good job of playing out the hesitation Shonali goes through before getting into a relationship And that bit is consistent in the writing too, but then there is nothing more left to explore in the character. Except, at times, she shifts gear as if she's talking to a child. Even the "I love you"s!
The film has an exaggerated tone of gray in the gloomy situations, which makes the use of ambience a bit too in the face. So is the use of the Rubik's cube. True it has been used as a motif and a metaphor for what's happening with Karthik. But these things are supposed to be left to interpretation not shoved down the audience's throat. Let's not even get to the hurried way in which the technical aspects of the subject are handled - in a rush hoping the audience won't notice.
Like I said, I'd watch the film just for Farhan's performance. And don't forget the concept is more than half-interesting. It's just a bit too long and yet left unexplained.
- meeta, a part of the audience
Thumbs up, by Mayank Shekhar, Hindustan Times : ...As an audience, you’re not always two steps behind the script either. But that doesn’t take away from how the film holds you, almost all the way.... full review
Thumbs up, by Shweta Parande, IBN Live : ...Deepika Padukone is as fresh as she was in Love Aaj Kal, and plays her bindaas girl part well. There's not much scope for her in this film to show her acting, but she makes a hot pair with Farhan Akhtar.... full review
Thumbs up, by Amodini Sharma, Planet Bollywood : ...You’d want a thriller, even a subtle one, to get in your face, and wrest from you your undivided attention. KCK can’t do that, because it’s not a tight, taut package.... full review
Thumbs up, by Jina Dcuz, The Road Not Taken : ...Deepika totally fits the ice queen office doll (who is also smart), but I wonder whether she can ever get out of that mould.(Another Aiswarya Rai in the making, I suppose).... full review
So-So, by Sukanya Verma, Rediff : ...What is remarkable, however, is to witness is Farhan's evolution as an actor. Despite being a fairly visible face in the media, there's something unpredictable about his aura.... full review
So-So, by Pratim D Gupta, The Telegraph : ...the calls and the caller turn out to be what we call in movie parlance a Macguffin — a plot element that drives the plot of a film but has very little to do with the film.... full review
So-So, by filmbear, Upper Stall : ... It lifts itself from the mires of been-there-done-that and the action shifts with some original writing and an even more (relatively speaking) daring settings... full review
Thumbs down, by Aniruddha Guha, DNA : ...Why? What? How? The film answers the questions in due time. Only, when it does, you wonder why a round trip was needed to narrate what could have been said in a one-way journey.... full review
Thumbs down, by Deepa Garimella, fullhyd.com : ...If you take that leap, if you let yourself forget all references coming to your mind, you're golden. For the rest of us who have seen this a lot of times, and better done, the film starts devolving into a bizarrely smug joke.... full review
Thumbs down, by Jahan Bakshi, Now Running.com : ...It's earnestly performed by Farhan Akhtar, who is fairly effective but can't bring enough personality and substance to the role to rise above the lame writing,... full review
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This page has additional observations, other than the ones noted in the main review.
Warning: this section has some details that could distort your experience while watching the movie. I strongly recommend reading this only after you have seen the movie or if you have decided not to see it.
Timid Karthik (Farhan Akhtar) is taken advantage of by all and sundry. It's time he stood up for himself. And so he does, or does he?