Sunny Sanskari Ki Tulsi Kumari

wogma rating: Don't bother (?)

quick review:

Love is fickle—that's my takeaway from this boring romance. The only highlights are some song and dance sequences.

Streaming Partner: Netflix

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Director: Shashank Khaitan
Running time: 135 minutes
Genres: Romance
More Movie Info

I admire how quickly and easily this film's characters fall in and out of love. Of course, story-wise, we all know that their initial "true love" existed only so that it could fall apart. Which also means to begin with, we don't believe that Sunny Sanskari (Varun Dhawan) is in love with Ananya (Sanya Malhotra) or Tulsi Kumari (Janhvi Kapoor) with Vikram (Rohit Saraf). The problem, then, is that given that knowledge, the very premise of the film falls apart. So, we have given up on any hope from the story at the very outset.

The comment on patriarchy and feminism is a pleasant surprise. But it is also a short-lived one.

The next onus of engaging us falls on the situations and the dialogue. The situations reek of lazy writing. For instance, none of the characters question the logic of some very questionable actions and reactions. It is almost as if the makers wanted to make a film that had loads of wedding-y songs and dances. The rest is just padding for that to happen.

After a while, they even gave up on naming which wedding function was on. Thankfully, the music is peppy, and some of the songs are memorable too. And they have been picturised and executed well too. But they are just sewn together haphazardly. And why-o-why do we have a sleazy end-credit item number which is utterly disconnected with texture of the film?

Also, there is hardly any support from any of the other departments. If you are wondering whether the dialogue carries any weight, you are wasting energy. Are the actors able to bring life to the lines? Just about. The film is on the edge of being a full-fledged slapstick one.

Varun Dhawan and some of the actors playing smaller roles are loud and insufferable. The women, Sanya Malhotra and Janhvi Kapoor, bring some semblance of calm and composure. But only occasionally. Rohit Saraf and Akshay Oberoi don't have enough screen presence for you to remember them. And so it goes with the rest of the character artists.

In this mess, then, it was surprising to see a comment on patriarchy and feminism. And just when I was willing to take that as the one thing that made the film worth being made. But I let my hopes rise a bit too soon. In the last scene, a woman who had found her self-worth through the film was asked to quit her job. Just like that. That hurt.

And with that, this supposedly romantic film leaves nothing warm to remember. A few of the songs, sure. But those you can watch stand-alone and continue to listen to online, right? Right.

- meeta, a part of the audience

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This page has additional observations, other than the ones noted in the main review.

Parental Guidance:

  • Violence: Some people are being slapped.
  • Language: A couple of curse words slipped through.
  • Nudity & Sexual content: A lip-to-lip. An end-credit item number.
  • Concept: Boy meets girl because their exes are getting married. And they want to stop that from happening.
  • General Look and Feel: Bright, loud, peppy.

Detailed Ratings (out of 5):

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