wogma rating: Add to 'must watch' list (?)
An engaging story is told using a number of clever twists. The intelligent outwitting however is let down by some awful performances and a rather slowed-down pace.Read more
- meeta, a part of the audience
You are out for dinner with a few friends. One of them is a little upset because of something that happened during the day. He gets irritated by something the waiter does and bursts out in anger at him. The waiter had done something really petty, something wrong but not a big deal. What will you do? Join in with your friend? Defend the waiter because it was not really his mistake, but this means you are going against your friend. This is only a minor version of the dilemmas Right Yaaa Wrong presents. The story moves along interestingly and is thought-provoking. If only, it was a tighter and had better performances, it would be a must watch.
I completely enjoyed how as an audience, I really didn't know whose side I was on. Both seemed right and both seemed wrong. Both evoked my sympathy, I wanted both to win. And all of this together kept me involved, engaged.
Sure, I wasn't 100% involved 100% of the time. First one to blame there is the choice of slow-pace for a genre that needs to be chop-chop. The other one is the lousy performances. Each one of them is performing perfunctorily. The dialogue delivery is extremely amateurish. Especially the bits in which the police officers are bonding in the beginning.
True, they are just setting the stage for bits and pieces to be used later. But the functional way in which relationships are put forward make them look manipulated and contrived together. So much so that the likes of Irrfan Khan and Konkona Sen Sharma can't cover-up for the others.
These are huge minuses. So, the story had to take over that much more burden of making the film work. And it does. I enjoyed the back and forth and for me that was enough to make my trip to the theater worth it beyond this review. I enjoy court-room drama as much as I enjoy intelligent characters out-witting each other. They might not be the smartest turn of events but they had basic thought put in, which is conspicuous by their absence in many films of this day.
Yeah, I'm surprised too. I actually liked a film titled as lamely as Right Yaaa Wrong (especially the extra aa) starring Sunny Deol. Dancing, fuming, and all. But, this is what even a decent attention to story can do to me.
- meeta, a part of the audience
Thumbs up, by Sampurn, real bollywoood : ...Writer turned director Neeraj Pathak (Pardes, Apne) makes a good debut as a director, showing no hints of being a first time director. His writing holds the interesting plot together.... full review
So-So, by Rajeev Masand, IBN Live : ...Cleverly plotted and never revealing all its cards at once, the film is a smart thriller. And yet the director fails to deliver a tight, slick Bollywood entertainer on the lines of those Abbas-Mustan whodunits, because his treatment's so archaic.... full review
So-So, by Jahan Bakshi, Now Running.com : ...Even with its dowdiness and disturbingly half-baked logic that finally resolves its central moral conflict, Right Yaa Wrong is still surprisingly watchable, because the film mercifully sticks to its real point without digressing much.... full review
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This page has additional observations, other than the ones noted in the main review.
Warning: this section has some details that could distort your experience while watching the movie. I strongly recommend reading this only after you have seen the movie or if you have decided not to see it.
Ajay (Sunny Deol) an honest and brave police officer is paralyzed by a gun shot in one of the encounters. This is only the stage set for the dilemmas that betrayal and definitions of right and wrong can bring.