wogma rating: Add to that never-watched 'To Watch' list (?)
What a quick dive this one took from being chique and warm to annoying and infuriating! Just like the relationships it uses to give you the "boys will be boys" vibe.
Read moreIf Metro…In Dino were to be believed, sex was at the crux of any meaningful romantic relationship. The other main point it takes a jab at is that the natural progression of questions society asks people is:
"When will you find someone?"
"When will you get married?"
"When will you have kids?"
"When will you have an extra-marital affair?"
"When will you get caught?"
"When will you start regretting your affair (mainly because you got caught)?"
That's mostly for the men. The women, on the other hand, are more watchful, smarter, more aware, and more deliberate. Yep, the film's storyboard seems to be a 3x5 table.
It is problematic when the characters get away with being uncommunicative, and it is implied that no real change is needed.
Age group | Man | Woman |
---|---|---|
60s-70s | @r$3^!3 | Sacrificial lamb |
40s-60s | @r$3#^!3 | Sacrificial lamb |
20s-30s | Confused @r$3^!3 | Confused sacrificial lamb |
Teens and young adults |
Getting better | Owning her space |
I know that sounds reductive, but hey, I didn't start it.
You'll notice, though, and it is heartening to see Metro…In Dino, have faith in Gen Alpha. For a bit, it even tried to be a commentary on the impact of social media on not just younger generations. But those light streaks are about the only progressive ones you see in the film. Unless, you count making the woman in the relationship responsible for her freedom despite all the faults her man is unapologetic about. Sure, he apologises, but that is only because he is called out. None of the men characters seemed like they wouldn't repeat their acts if the clock were turned back.
It is a shame, then, that I got fooled into believing I am in for a treat in the first few minutes of the film…the first hour even. The lyrical smashing of the fourth wall, the Broadway musical take on narration, and the music itself were all thoroughly engaging. Regular readers will know how much breaking of the fourth wall seems like a cop-out to me. But, the approach made it good enough for me to slide my misgivings to the background. Yes, even Pritam and his band showing up on screen.
Soon, the narrative style gets tired of its own gimmick. To be fair, as an audience, I too was ready for the incessant music-overshadowing-dialogue bit to change. Change, it did; but to plain and regular.
Sure, sustaining the energy of the first hour's music is a tall order. It made my heart sing. I didn't want the film to end. I started making plans to watch it again with the family. Of course, it was silly of me to expect that to go on for another 1.5+ hours. Only to realise after those 1.5 hours, that the makers too knew they didn't have anything else going.
Sure, sustaining the energy of the first hour's music is a tall order. And that they couldn't.
The stories were actually just one love story. Sure, there are five couples, but they are just at different stages of the relationship. So, it's really only one story. The trajectory is clear—cuddly-cute start, terrible things like marriage and kids happen, the inevitable affair, the relationship waking up from its deep slumber…by now, we are so bored that it doesn't matter that there is an ever after, happy or not. Sorry, I lie. It was seriously annoying and infuriating when it's happy.
Because it's not that infidelity is unforgivable or that people change their strong opinions. It's how things change without warning; how very good build-ups fizzle out. Real-life couples find their ways around the "cheating" in their relationships. So, that's believable, alright. People who don't believe in love, fall deep when they find it. That's cool too. It is "how" that is mismanaged here. This character feels SO wronged, is SO angry, SO disturbed, SO indignant…and all that washes away? This other character is against steady relationships and is suddenly seen inviting people to his wedding.
While other character transitions are better justified, these two are too glaring to keep your hands from going up in the air in frustration. It doesn't help that the men in the story simply refuse to communicate. They do the most bizarre things to get what they want, but they will not have a straight conversation. Which would have been fine, because you know that's how it is usually in real life. And what is cinema but a reflection of life?
The snag is when this is shown as an okay thing to do. It is problematic when the characters get away with being the way they are, and it is implied that no real change is needed. It feels like this behaviour is being rewarded. It feels like the makers are making an excuse for men to continue to be children who need constant mothering. The film wants to recognise how women are asked to move heaven and earth, and how unfair that is. But it shrugs that away with, "Women are destined to be martyrs. What can we do?"
I half-wished that the performances weren't as good as they were so that I could be distracted from the lame writing by some sub-par acting. But with Neena Gupta leading the way, there was little chance for that. Konkona Sen Sharma uses her eyes to communicate so well that you might dismiss the rest of her being, which makes her characters what they are. Ali Fazal and Fatima Sana Shaikh are convincing as a regular couple with regular problems.
Even Aditya Roy Kapur and Sarah Ali Khan make you chuckle at the right times. In fact, Kapur has some of the most well-written lines. So much so that after having watched the full film, I wonder if they were lifted inspired from elsewhere.
Which might be true of some of the music that I enjoyed in the first hour. And if that's true, there isn't anything worth the trouble that should drive you to watch the film, for the music is available online. We are living the drama that modern romance offers—if not our own, that of those around us. We don't need a superficial take on it. Especially, when it thinks it is layered and deep.
- meeta, a part of the audience
Thumbs up, by Amit Bhatia, abplive : ...Pritam’s music deserves special mention. Each song is woven into the narrative so organically that it feels like an extension of the characters’ emotions. It's rare to see music becoming a part of the screenplay, and here, it's done with commendable skill.... full review
Thumbs up, by Subhash K Jha, Bolly Spice : ...Nonetheless it is a work worth a watch for its interweavement of music and drama, albeit in an infirm clasp.... full review
Thumbs up, DNA : ...The film is imperfect, vulnerable, and quietly beautiful — just like love! Come fall in love again!... full review
Thumbs up, by Devesh Sharma, Filmfare : ...Is Metro… In Dino better than the 2007 original? Unfortunately, no. The earlier film boasted stronger storylines, better music, and the unmistakable presence of Irrfan Khan. While the new film has its flaws, Anurag Basu still manages to craft a romantic drama that doesn’t flinch from real emotions. In an era of half-hearted filmmaking, Metro… In Dino is an earnest attempt at genuine storytelling, something which most directors of today have become negligent about.... full review
Thumbs up, by Aakash Kumar, Filmi Beat : ...Metro In Dino may not be a flawless film, but it is certainly a well-made and emotionally rich drama. The storytelling is engaging, the characters are relatable, and the performances are top-notch. Despite a slightly slow second half, the film redeems itself with a moving climax that makes it worth your time. If you enjoy slice-of-life dramas filled with emotions, love stories, and relatable characters, Metro In Dino is a must-watch. You'll leave the theatre feeling happy and fulfilled.... full review
Thumbs up, by Lachmi Deb Roy, FirstPost : ...Metro..In Dino’ truly deserves every bit of your time. This feel-good love story is indeed a must watch. Even after the movie ends, you may feel just the way I did, ‘I wish it was a little longer.’ The music and the snap shots of the film just lingers in your mind. The direction, the story, the dialogues and screenplay effectively creates an engaging narrative.... full review
Thumbs up, by Troy Ribeiro, Free Press Journal : ...Performance-wise, the ensemble delivers with conviction. Aditya Roy Kapur shines as the charming yet commitment-phobic Parth, carrying a carefree energy that hides deeper fears. Sara Ali Khan brings endearing vulnerability to Chumki, a woman confused yet optimistic, viewing life through love-tinted glasses. Pankaj Tripathi’s comic timing is razor-sharp, elevating scenes with quiet brilliance, while Fatima Sana Shaikh delivers a nuanced, poignant portrayal of Shruti. Veterans Anupam Kher and Neena Gupta are sincere, but they offer little in terms of emotional layering.... full review
Thumbs up, by Nitin Jain, Glamsham.com : ...For a film titled after a track (In Dino – ‘Life in a… Metro’) that once defined heartbreak for a generation, the soundtrack this time feels underwhelming. Pritam’s compositions are pleasant but rarely stirring. While the live-band concept is novel and well-intentioned, it lacks the haunting melancholy or lyrical punch of the 2007 album. It’s a missed opportunity in an otherwise emotionally rich film. Songs like ‘Dil Ka Kya’ and ‘Zamaana Lage’ strike an emotional chord, though nostalgia for iconic KK-led originals remains strong.... full review
Thumbs up, by Rishabh Suri, Hindustan Times : ...And now, the hero of the film- the music. It’s a pity it hasn’t managed to top the charts before the film’s release, because it truly sucks you in and makes you stay seated. Pritam deserves applause for his compositions, while lyricists Sandeep Srivastava, Mayur Puri, Anurag Sharma, Qaisar Ul Jafri, Neelesh Mishra and Momin Khan Momin weave some lovely songs.... full review
Thumbs up, by Jaya Dwivedie, India TV : ...If you crave fast-paced plots and high drama, Metro… In Dino might feel too slow. But if you appreciate films that touch your heart and linger in your mind long after the credits roll, this film is made for you. It captures fleeting emotions — heartbreak, forgiveness, reconnection — in their most honest form.... full review
Thumbs up, by Rajiv Vijayakar, koimoi : ...In Dino, we get rare films where music is treated as a part of a movie. At least for that, if not for its overall content, I will strongly recommend Metro, for all, not just denizens of the metros!... full review
Thumbs up, by Abhishek Srivastava, Money Control : ...Anurag Basu sets the tone beautifully right from the start, with the Holi sequence that introduces all the characters in one joyous swirl of colour. There’s something very comforting about how he stages scenes — nothing is overly dramatic, nothing is played up for effect. The songs slip in quietly and do what film songs are meant to do — move the story along and deepen the feeling. Pritam’s music here does the heavy lifting without ever making a show of it.... full review
Thumbs up, Movie Talkies : ...Overall, an layered, urban relationship drama that entertains while gently nudging you toward introspection. A win for its intended crowd. Pretty decent otherwise.... full review
Thumbs up, by TITAS CHOWDHURY, News18.com : ...It’s not every day that we get to see a Bollywood love story written with so much heart, maturity, intensity, intimacy and subtlety. Metro In Dino is a masterclass on modern-day love. It’s for the lonely, for the ones who won in love and then lost some. It’s as much Anurag’s film as Pritam’s. Zamaana Lage, Dil Ka Kya and Mann Ye Mera stand out particularly. Rush to the cinemas now!... full review
Thumbs up, by Anuj Kumar, The Hindu : ...In hyperlink films, establishing the character quickly is crucial, making the choice of actors all the more important. Aditya Roy Kapur and Sara make the lust/ lost confusion of today’s generation relatable.... full review
Thumbs up, by Tanmayi Savadi, Times Now : ...Metro…In Dino comes with its flaws and familiar structure. None of that affects the core of Basu’s storytelling. In the end, it’s warm and fuzzy, just like the tightest and longest hug from a loved one.... full review
Thumbs up, by Renuka Vyavahare, Times of India : ...There has been a scarcity of love stories in Bollywood and Metro In Dino, elevated by some fine performances, fills that gap perfectly. It is a breezy, intimate watch tailor-made for a rainy day.... full review
So-So, by Amogh Ravindra, Deccan Herald : ...Visually, it’s shot well. Warm, moody, consistent. Pritam’s soundtrack isn’t instant chartbuster material, but it grows. The songs linger quietly, like the film itself. Soft, slow, and meant to sit with you. Metro…In Dino isn’t trying to surprise you.... full review
So-So, by Baradwaj Rangan, galatta.com : ...Experimental filmmaking is necessary to break the monotony, but not at the cost of old-fashioned values like emotional connect. Otherwise, it’s just the filmmakers having fun, not the audience.... full review
So-So, by Shubhra Gupta, indian express : ...But there’s enough zest in the rest of it to keep us humming, and the film, even in its looseness and overly-stretchiness, thrumming. And what a relief, in these days of ham-fisted badly-made patriotic sagas and loud family melodramas, to find adult characters doing adult things, talking up desire and lust and love, even if you can see hints of conservativeness– characters getting into bed, but not going all the way– perhaps as a nod to these times which is bent upon taming all individual passion.... full review
So-So, by Lekha Menon, Khaleej Times : ...Metro…In Dino may not match the original’s emotional depth or impact, but it’s a warm, well-intentioned take on modern relationships enjoyable in some parts, but with a little more narrative finesse, it could have been truly memorable.... full review
So-So, by Uday Bhatia, Live Mint : ...There are other directors who’ll do a job, do it efficiently. But filmgoing is more fun when Basu’s playing in his sandbox.... full review
So-So, by Radhika Sharma, NDTV : ...Director Anurag Basu himself makes an appearance in a key sequence in Metro... In Dino. The film has Barfi! like emotions, the whimsical quality of Jagga Jasoos, and the chaos of Ludo. There's also another cameo by a director, who is believed to be the god of modern Hindi romance movies.... full review
So-So, by Isha Sharma, NewsBytes : ...Basu's intention to entertain and innovate is evident in nearly all frames and Metro...In Dino's opening sequence will take you back to Jagga Jasoos. Basu has dedicated the movie to KK and Irrfan, and the film's striking frames beam with his creativity. Extremely overstretched, Metro...is never unwatchable, but its parts work much better than the whole.... full review
So-So, by DEBANJAN DHAR, Outlook India : ...One of the major refrains insists on placing trust in a relationship, lending second chances-allowing for reconciliation, despite how tough, humiliating the ask is. Amidst transgression, allure of a better-seeming life with some stranger who might bring greater joy and stability, how do you stick with your partner? It’s a constant tussle between snipping the bond and believing the other to pull through. There are all sorts of straying, long-repressed desires of women gaining express, the stasis of no longer being giddy about the same partner. Basu lets women be impetuous, silly, brittle and sassy.... full review
So-So, by Rishil Jogani, Pinkvilla : ...Metro... In Dino may not match the brilliance of Life in a... Metro, but it certainly has a beating heart. The sincerity in Anurag Basu's craft is undeniable. While the film falters in structure and pacing, it succeeds in capturing the emotional messiness of modern relationships. Despite its flaws, it stands as a genuine, heartfelt attempt to tell personal and human stories.... full review
So-So, by Sukanya Verma, Rediff : ...Pritam's songs are tuneful but far from groundbreaking. The writing is sharp but not razor. Confusing Siri for a sex expert is neither wise nor witty.... full review
Thumbs down, by Suhani Singh, india today : ...Amidst the ensuing half-baked conflict, Basu shows some of his characters live life vicariously albeit fleetingly. But to serve what purpose is the question? In the quest to pack in Pritam’s voluminous output, Metro... In Dino turns into a protracted saga whose conclusion is long foreseeable. It doesn’t help that logic too has taken a trip, much like many of the characters do. Love certainly has evolved since the first Metro, but in Metro... In Dino, it surprisingly seems dated.... full review
Thumbs down, by Nandini Ramnath, Scroll.in : ...Whether awake or asleep, the women of Metro in Dino are in more peril than the film cares to admit. The light-hearted tone has hints of darkness and the stench of compromise. At least in this regard, Metro in Dino leavens its insistent banality.... full review
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