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Anuj has rated 114 movies,
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Both happy and amazed at the theatrical performance of DANGAL. Perhaps the first time in my lifetime that an 8/10 rated movie has gone to become a Mega Blockbuster and broken box office records.The last Mega Blockbuster movie that was an 8/10 or higher imo was SHOLAY. All the rest, be it MPK, HAHK, DDLJ, Gadar, 3I, PK & Bajrangi Bhaijaan are either a 6/10 or a 7/10. The one's rated an 8/10 or a 9/10 have either flopped (eg. Lakshya) or have only been small scale hits with a limited target audience (A Wednesday, Satya, Kahaani etc)
Mind you, this is not a wazir vs udtapunjab analogy and nor am i trying to justify which is a better film. Its an analogy based on trending scores and acceptance levels of the limited target audience of both the films. Of course everyone is bound to have their personal preferences, just like I do with films carrying a mixed response like Kahaani 2 and Shivaay.
The only reason Udta Punjab became a commercial success is due to pre release controversies and negative publicity. Box office trend is the best judge of a movie's acceptance & word of mouth. Wazir (5 cr) opened at half the initial number of Udta Punjab (10 cr) and yet in the final tally the difference between the 2 films was down to 30%. Wazir did close to 8 times its day 1 number indicating a 70% recommendation rate amongst its viewers, while Udta Punjab did just 6 times its day 1 number indicating a 50% recommendation rate amongst its viewers. Its not that Udta Punjab was a more accepted film, its just that it was a more watched film. Something akin to Happy New Year being a more watched film compared to Holiday, despite Holiday being a more accepted film.
Perhaps even the city multiplexes' and urban India's taste is a lot different from your's and hence you fail to fathom Airlift's success amonf the multiplex audiences, the same audience that gave a unanimous thumbs down to Udta Punjab which crashed to a 60 cr finish after a huge 10 cr initial (thanks to the bogus controversies associated with this B-grade drug drama).
bollywoodhungama, BOI.com or any other trade journal has confirmed WAZIR's cost to be between 35-38 cr and all India nett between 40-42 cr with a share of 20 cr+ and a footfall count of 42-45 lakh from 1600 screens, implying either an Average or a Below Average verdict. No distributor lost money on the film as confirmed by Komal Nahta in his FI journal. Even the small film, urban unfriendly BOI.com changed its verdict for Wazir from Flop to Below Average. So ya, i guess that's curtains down on 2016
Wazir is nowhere near being a flop. Recorded 20% ROI & did 7.5 times it's day 1 collection making it a 65% word of mouth & a clean Average grosser. As for Airlift, 12 cr on day 1 & 126 lifetime. Over 80% word of mouth and over 1.3 cr footfalls for a niche urban film. Case closed !
DANGAL is not a social commentary on women's empowerment and nor is it meant to be a feminist propaganda. It a mass commercial entertainer based on a real life and set in a state like Haryana, well known for its skewed sex ratio and patriarchy, honor killings and gender stereotypes. Mahavir Phogat of Dangal identified the talent in his daughters, nurtured them and was a strict "coach", not a strict "father". As for the imposing bit, all he asked was from his wife was "1 year". Is that what we call "imposition" in our Indian society? Nitpicking critics and people who think its "cool" to go against the norm based on non factual arguments need a reality check.
Mention of films like Udta Punjab, ADHM, RR 2.0 and no mention of one of the most critically acclaimed and commercially successful movies of 2016 Airlift! Wow.. :P
Requesting regular WOGMA users FAN & ANUP to pick their top 10 of 2016.
My favorite films of 2016 :
1. Dangal 2. Airlift 3. Neerja 4. Pink 5. Kapoor & Sons6. Shivaay7. MSD-The untold story8. Sultan9. Wazir10. Kahaani 2
Outstanding sports drama, perhaps the best in this genre by Bollywood. Leaves the likes of CDI, Sultan, MSD, BMB far far behind. Tight screenplay, solid performances and a style of film making that would find favor among every section of the audience, right from the Delhi's to the Dhanbad's and the Bangalore's to the Bikaner's of the country. This movie proves that you need no "Baby ko Bass's & Munni Badnaam's" to please the masses. All you need is solid content coupled with solid star power (unfortunate truth of our audience). DANGAL is a masterpiece, Aamir's best since LAGAAN (3I, RDB, TZP not withstanding)
Dear Zindagi is a 1 woman equivalent of ZNMD. A mushy, juvenile yet enjoyable urban metropolitan film on the issues relating to urban Indians alone. This is another one of those movies teaching life lessons on juvenile issues usually faced by the rich & the elite metropolitan population of our's for whom failed relationships seem to be the end of the world. Alia does well and SRK's restraint performance provides a refreshing change from his recent misadventures. However, the philosophical talk would not be related to by a vast majority of the audience outside the urban metros.
@Fan : Totally agree with you on Airlift. That's where I found BABY a lot more gripping and edge of the seat thereby making it a lot more watchable on repeat viewing. I never saw you write your views on BABY and PINK as yet though!
While almost the entire reviewer fraternity gives this a 2.5-3/5, [comment partially deleted because it has name-calling] Kapoor fangirl Mrs Kabra as usual sticks to her "nothing better to do" rating for almost every action movie ever produced in Indian cinema (hold your breath, this includes the legendary Baahubali-The Beginning too).
@Anup : ROI is a business verdict and is imperative only for the producers, distributors and exhibitors. It is not a true indicative of the audiences' response. Ex, Murder 2 and Ek Villain were Super hits on ROI but among the audiences, the word of mouth was extremely mixed for both the films and hence these movies hardly lasted in theaters beyond the first week. The final verdict for a film has to be a combination of ROI as well as audience verdict/footfall/trending. With regards to box office discussions, I do not see anything wrong with that as box office knowledge gives us a reality check of some of these so-called hits and false media propaganda stands exposed. Did u know that HAHK recorded over 2 crore more footfalls thank DDLJ? The media would have you believe that DDLJ was the biggest bollywood hit since Sholay but factually, its footfall count is even lower than Gadar. Did u know that DCH was just an Average grosser and just a 3 city hit? Ditto for RDB (although post multiplex/internet piracy era the footfalls have drastically reduced and even the biggest multiplex era hit 3I recorded just 3.3 cr footfall which is nowhere near DDLJ and Gadar). The media would have you believe otherwise! Nothing wrong in knowing facts even if they go against your personal choices.
@Admin : I don't see the point in publishing comments 2 days after they've been typed out under the pretext of "monitoring". Anything >2 hours and the entire essence of the comment is lost at most times.
@Anup : ROI is only one half of a movie's "final verdict" and has nothing to do with "audience acceptance and word of mouth". Pink and Neerja targeted 25% of the total audience so in a best case scenario they could generate 1 CR footfalls. Both the films generated footfalls in the 65-70 lakh range. Both the films started at 4-4.5 CR nett on day 1 and ended up with 65-70 CR nett lifetime total. That's >12 times their day 1 numbers and a 95%+ word of mouth among the people who'v watched the films. Contrast this with last year's PIKU, it started at 5 CR on day 1 and ended up with a lifetime number of 78 CR and recorded 80 Lakh footfalls. However, PIKU was a more expensive film. On ROI, PINK>PIKU, on Word of mouth they're both the same but on footfalls, PIKU>PINK. And hence the final verdict for both the films is a HIT+ although since PIKU has higher footfall thank PINK, PIKU becomes a more "popular" of the 2. That because PIKU is a light heated family drama while PINK is a broody thriller. And Indian audiences, both urban and mass prefer the romance/comedy/family drama genre a lot more than action/thrillers (star worshipping not withstanding).
BoxOfficeIndia.com's constant manipulation and downgrading not withstanding, another reliable website BoxOfficeIndia.co.in records Shivaay at ₹ 97 cr in 18 days. Collections have slowed down due to demonetization. However, the movie is still the first choice for audiences in B/C centers even now. 100 CR calling for this one man action/drama/adventure. After BAAHUBALI last year, SHIVAAY has well and truly raised the stakes as far as action choreography and Visual effects are concerned. Kudos to the 2 time NATIONAL AWARD Ajay Devgn. Keep rocking! #HarHarMahadev
@Fan : I'd like to know your rating of Airlift, Neerja, Kapoor & Sons and Pink out of 10. For me, they're the top 4 of the year with Shivaay and MSD being at #5.
1. Pink 8/102. Airlift 8/103. Neerja 8/104. Kapoor & Sons 8/105. Shivaay 7/106. Sultan 7/10 7. Wazir 7/108. MSD 7/10
Dangal and Kahaani 2 might change equation here.
@Admin : Why are my comments not being published?
@Fan : U say both the films have had "Average" trending. As per numbers, Shivaay began with 9 cr on day 1 and would end up with a 90 cr nett approx total with an AVERAGE verdict due to its high investment. That's 10 times its day 1 number. In a normal scenario that would imply a 90% word of mouth. But since the Diwali factor comes into picture, we would deduct ~20% off and yet the movie would carry a 70-75% word of mouth which is a solid wom imo. The only reason Shivaay suffered in collections is dues to the metropolitan multiplex audience not generating enough footfalls and revenue in the first 5 days of release. ADHM on the other hand started at 13 cr on day 1 and would end up with 110 cr lifetime. That's 8.5 times its day 1 number which in a normal scenario would be a 75% word of mouth. But with the Diwali factor into picture, we can safely say that the word of mouth is nothing more than 60%, mainly among the metropolitan and semi metro cities. Even on footfalls Shivaay might just inch ahead. A bigger initial and higher appreciation among the 5 major metros is what has tilted numbers in ADHM's favor despite lower appreciation and footfalls.
DCH in 2001 was a fresh and innovative movie from the Farhan school of film-making. Mold the plot and add a bit of music, we got a repetitive yet entertaining and endearing Rock On! in 2008. Mold a bit more, add a few rich brats with their "ultra urban metropolitan" problems in life and we got a decent one time watch in ZNMD in 2011. Now how many times would one possible mold, twist, turn and rehash the same done to death formula? If the Johar's and Chopra's of the world have flogged a dead horse, EXCEL entertainment with their formula films is no different!
@Anup : I did watch ADHM in bits and pieces on a poor quality print and frankly, i did not find anything different from whatever i'v watched in the equally mediocre KANK and KKHH and YJHD. If at all anything, the characters in this came across as even sillier. Agreed Shivaay is slow and tedious at times, but at least it offers something new and worth watching in the action department! As for costs, yes ADHM has made profits in metros and overseas but Shivaay too has covered majority of its ground as per BoOfficeIndia's latest update. That despite BOI under-reporting Shivaay (something that they tend to do with all single screen hits like Kick, Krrish 3, Chennai Express etc). If we are to believe trade numbers, Shivaay is gonna make losses for distributors in metros but profits for the one's in the tier 2 and 3 cities and would cross 100 cr figure soon. As per BOI, it would end at 90 cr nett with an Average lifetime verdict. Even by BOI, Shivaay would record higer footfalls than ADHM despite collecting lower. Not a bad result when you have a film with just one known face in the action/thriller genre (something that doesn't work too well in Hindi cinema unless made on shoestring cost like Kahaani and Pink), absolutely no comedy and a lackluster romantic track with an unknown female lead. Esp when its up against a Karan Johar film with Ranbir/Anushka/Aishwarya in the lead, romance genre and chartbuster music.
Mind you, BoxOfficeIndia is not a Bhagwat Gita. Its just one of the many manipulative trade sites out there with their own vested interests. Fabricating numbers, manipulating verdicts (Ra.1 hit?) and providing false statistics in the name of authenticity is an expertise with them. I'm cent percent sure that they're decreasing the collections of Shivaay on purpose as they're infamous for being an SRK/YRF/Dharma fansite.
@Fan & Gokul : Firstly, there has been no clear winner in this clash. The business has been splt wide open and both the films have underperformed thanks to the audiences being divided. As per BoxOfficeIndia, although Shivaay has done 63.5 cr in its first week while ADHM has done 78, the footfalls for both films is around the 75 Lakh mark & in the final tally, Shivaay might actually record higher theatrical viewership despite ADHM's collections being 18-20 cr higher. I have repeatedly mentioned this on this website and I continue to believe that popularity is directly proportional to footfalls (and not collections), so yes Shivaay might actually end up being the more watched (popular) film. Although in terms of ROI, ADHM will clearly make pore profits, although not by too much of a margin as ADHM itself carries a budget of 98 cr while Shivaay carries a budget of 103 cr.
@Gokul : Please watch Shivaay before calling it a run of the mill "masala" film. It is not your conventional Dabanng/Singham/Rowdy Rathore kinda action. This is world class action choreography, brilliant camerawork and stunts performed by action man Ajay Devgn himself. As to why Shivaay didn't perform in metros, that was bound to happen as Ajay's popularity among the metropolitan audiences has always been questionable, thanks to the metro audiences affiliation to anything and everything that looks mushy, chocolaty and pretty (SRK, Aamir, Ranbir, Hrithik etc).
I would definitely recommend Shivaay for the action movie lovers as this movie is a one of a kind action product in Hindi cinema. For the rest, you might just need a Disprine to sit through this one :
@Gokul : So a masala movie with word class action and brilliant camerawork/cinematography is a done to death formula while the same old Karan Johar nonsense that his production house has been dishing out for the last 20 years in fresh? Anyway, SHIVAAY will find more footfalls, if not collections as the audiences in the interiors would definitely prefer an action thriller than a romantic mushy pretty boy film. That would not show in the collections as ADHM would find an audience paying 4 times as that of Shivaay.
SHIVAAY is a technically brilliant film and one of the finest pieces of action even made in Hindi cinema. Pity that urban junkies prefer the same old done to death melodramatic formula of ADHM and ditch this fine piece of action and thrill. I do expect SHIVAAY to grow and perform well among the tier 2 and 3 cities though!
Vote bank viewership helped KNPH demolish "Phir bhi dil hai Pakistani" and "Mela" as a rank newcomer, give Mission Kashmir a bigger opening than Mohabbatein, deliver Bollywood's most successful sci-fi/superhero franchise which stood the test of time for over a decade, exponentially increase the value of the Dhoom franchise by 3 times, deliver Hindi cinema's most successful historical of the decade (unlike A-Mangal Pandey and A-dhoka). Darn, even ZNMD was a bigger commercial success than DCH...lol :P
@Joker : Yeah, Khan fansite boi and you verdict is what Ajay Devgn's life depends upon.
@Fan : Hahaha...good one! I guess Ajay could have Indian-zed the screenplay a bit more and casted more Indian actors in the film to make it seem more authentic. Nevertheless, Shivaay's easily got the most breathtaking action sequences I'v witnessed in Indian cinema since Baahubali. Coming to Baahubali, it would be interesting to see if any of these pseudo liberals, leftists and minorities would be able to prevent part 2 from becoming the highest grossing domestic movie of all time. Baahubali-2, which takes huge inspiration from Hindu mythology would not only find favor among the Hindi masses (thanks to its dubbed version) but also among the south Indian masses, something that Shivaay being a Hindi film could not achieve. Its interesting to note that while part 1 surpassed the likes of PK and Bajrangi Bhaijaan in the domestic market and did well even in the US/Canada market, its the gulf/middle east region that prevented the overseas collections from escalating. Something similar to what happened to Bajirao Mastani which fell short of Dilwale in the overseas markets thanks to Dilwale's humongous numbers in the gulf/Saudi/Iran/Pakistan and where not. Speaks volumes of the nature of the "Khan fanbase" worldwide :P
@Kapil : I think Hrithik would make the perfect Shiva and so would Prabhas or a Suriya for that matter. Anyhow, that's my personal opinion :)
To put it bluntly, our Hindi movie watching audience can be divided into an 80:20 ratio with 80% being the Hindus (coupled with Buddhists, Jains, Sikhs etc) and the 20% being the "minorities". Among this 80%, Shivaay would find favor among a good 60% of them, mainly from the interiors such as Rajasthan, MP, UP, Bihar, Gujarat and CP Berar. However, despite finding favor among the 60% Hindus, the low ticket prices in mass centers would ensure a lower figure for Shivaay as opposed to ADHM which would find favor among the 40% urban pseudo liberals and tolerant communist influenced intelligentsia along with bimbette fan-girls and romeo fan-boys. Despite being a 40% minority among the Hindus, the collections of ADHM would be significantly higher as most of this 40% comes from urban centers like Delhi/NCR, Mumbai/Pune, Bangalore and Kolkata. Add to that the 20% minorities who would not watch Shivaay at any cost and we have a 52:48 viewership/footfall ratio in favor of ADHM and a 65:35 ratio in terms of box office collections. All this hold true till Tuesday after which its all dependent on word of mouth for both the films among all sections of the audience.
Look at this brainwashed secular/minority ranting his mouth off at a mere movie! This is the precise problem with the "majority" population of this nation. Most of them are either Nehruvian brainwashed commies who would support the thought that "art has no boundaries" and continue watching mushy romantic nonsense like YJHD and ADHM produced by corporate czars. The "majority" Hindu population would be split wide open between ADHM and Shivaay with mushy romantic noob girls and their romeo bf's preferring ADHM while the action junkies and one's looking for innovation preferring Shivaay. However, no such disparity among the "minorities" as they would obviously watch ADHM (even if they do not like the genre/film) only 'coz the other film's name is "Shivaay" and ADHM's been produced by the "partner" of a Khan. Damn easy to split up the excessively tolerant "majority" for the pseudo seculars and "minorities" with vested interests.
4 cr difference in nett collection with just a 2.5 Lakh difference in footfalls. That too with the mass entertainer being impacted the most due to pre Diwali festivities. This is what happens when paid cronies of powerful production houses coupled with rich urban multiplex brats and braindead fangirls of chocolate heroes gang up in favor of one film against another. We witnessed something similar in 2012 when both JTHJ and SOS recorded similar footfalls, yet the media portrayed JTHJ to be a "clear winner" (lol). And of course, who can forget the media's endless rants about DDLJ being India's biggest blockbuster despite recording 2 crore lower footfall than HAHK (not that the criminal from a certain "minority community" deserves such viewership).
@Kapil : Let me assure u, no Bollywood film-maker would dare make a movie on The Shva Trilogy. They're too interested in preserving their secular fan base by making films like PK, Chak De India and Sultan, thereby naming their holier than thou heroes as "Kabir Khan" and "Sultan Ali Khan". It took a southern film maker like SS Rajamouli to create a Sanatana mythological tale like Baahubali and only someone like him would be able to bring Amish's masterpieces on celluloid. Not the Johar's, Chopra's and Hirani's of this world.
Not surprised by this as well as the other reviews from a media that loves sucking up to urban multiplex cappuccino audiences. If this media and bunch of braindead reviewers cannot appreciate a Drishyam and OUATIM, how can we expect them to praise Shivaay. Despite the lack of novelty, Shivaay deserves a watch only for its ambition and its narration parallels with the greatest god among all. Then again, we Hindus have a habit of preserving our secular fabric a bit too much at times! Especially the commie inclined urbanites.
And of course its a different matter that the ever so secular (to the extent of shooting themselves on the foot) Hindus would provide equal footfalls to Khan's , Kumar's and Devgan's while the "not so minority" audience would outrightly boycott Shivaay only for its name and watch Sultan and PK 5 times over, but that's a different matter altogether.
Footfall 11:5 only in Delhi/NCR, Mumbai/Pune, Chandigarh/Mohali. Mass circuits is exactly the opposite. Just like it was for SOS over JTHJ. Infactuated fangirls and roadside romeos would never chane taste, right from the times of the over rated DDLJ's, KKHH's to the times of outright trash like YJHD and ADHM.
Rustom was nowhere near being a "bad" film. In fact it was a decent entertainer (though full of loopholes) from the audiences' perspective. Add to that extensive and smart marketing and an edgy trailer that aroused interest, it was always gonna be a winner. [comment deleted partially] Ready and Bodyguard were indeed better mass commercial entertainers than Mohenjo Daro and that's precisely why they did not become a Jai Ho. Your spams are as funny and pointless[comment deleted partially]. The same papa boy HR gave the most successful historical of the last decade in Jodhaa Akbar and delivered a blockbuster Dhoom movie despite its plot being [comment deleted partially]. He's got 2 150 cr+ domestic grossers which no actors barring the Khans' (thanks to their [comment deleted partially]) have achieved.
Add to the above, MSD-The untold story - SEMI HIT despite its monumental relative cost (100 cr+ for a movie with no face value).
As for commercial success of film-makers, technically even Shoojit Sircar and Neeraj Pandey are yet to fail as none of their directorial ventures have flopped as yet.
A WEDNESDAY - SUPER HITSPECIAL 26 - ABOVE AVERAGEBABY - AVERAGE (despite its shockingly low promotional campaign and almost zero pre release buzz)RUSTOM - HIT (although I'm sure the movie would have been a lot more crisp and edge of the seat tensed courtroom drama had Neeraj Pandey been in the director's chair).
VICKY DONOR - SUPER HITMADRAS CAFE - AVERAGE (despite its dark and broody undertone and a cast more known for their looks than their expressions)PIKU - HIT (despite the relative high cost as compared to the size of its target audience)PINK - SUPER HIT (as a co writer and producer).
YAHAAN could not find enough buyers and hence was bound to doom at the box office even before release, something akin to another solid thriller like D DAY
Did anyone even talk about Hrithik Roshan or his stardom, you [comment partially deleted because it's a personal attack] ? I have made plenty of statements questioning his disinterest in signing more number of films and questioning his script sense. Even today, despite the fact that his popularity is nowhere near what it was a decade ago, he is still capable of delivering a 150 cr+ grosser provided the movie is at least carrying a reasonable amount of anticipation and buzz (case in point, Krrish 3 and Bang Bang). Mohenjo Daro was a dud right from its uninspiring trailer to its boring music and over the top costumes and substandard vfx. The blame for which squarely lies with the script writer, screenplay writer, costume designer and most importantly, the captain of the ship-the director. Blaming Hrithik Roshan for substandard vfx and poor writing/screenplay is indicative of your [comment partially deleted because it's a personal attack] . With regards to Abbas Ali Zafar, Sultan was a well written and well directed movie with catchy music and of course, Salman Khan going through the best purple patch of his career. The same Salman 300 cr Khan's substandard and bogus movie like Jai Ho was barely able to cross a 100 cr despite Salman's popularity hitting astronomical heights over the last 6 years. My comment was indicative of the dropping standards of the film makers concerned, something that your [comment partially deleted because it's a personal attack] fails to fathom. Had MJD been starring Salman Khan, it would still have just been a 100-120 cr grosser at best! With HR in the lead its a 60 cr grosser and had a new comer been in the lead, it would hardly have crossed 20. That's simply because it was a substandard movie, the blame for which lies with the makers. Same goes for Mirzya.
Yes, audiences have made them popular and there's nothing wrong in making on screen performers popular. But the recent trend of audiences "saving money" to watch movies of the popular one's (irrespective of how pathetic the trailers are) and not bothering to watch a new comer or a not so popular actor despite the movie being a one time watch (or even better at times) is a worrying trend. And this worrying trend has directly coincided with this "holiday release" craze and hype that's been created by the media and the PR of most of these so called superstars. I have witnessed people accumulating savings and spending on movies like Bodyguard and Kick but the same folk would give a boot to Bhaag Milkha Bhaag and Airlift and prefer watching them on television instead, only b'coz Kick has "Bhai" acting in it. Had this mentality prevailed in the 70's we'd never have had an Amitabh Bachchan or a Vinod Khanna. Heck, even the likes of SRK, Aamir and Salman would have been struggling back then and there would be no DDLJ's and HAHK's to write of. Its high time the Hindi movie audiences give a 300 cr grosser to a non Khan, just to get things back to equilibrium. I do not see that happening as of now. I'm sure even before its trailer, there are more people saving up for Dangal and Tubelight than for even a tried and tested movie like Baahubali among the Hindi audiences.
2016 has witness the downfall of 2 major film makers in Ashutosh Gowarikar and Rakeysh Mehra. I hope they find their footing soon enough for Hindi cinema's sake. There is a serious dearth of good writers, screenplay writers directors and editors in Hindi cinemas today.
Yup! Good that he'd followed up movies like A Wednesday and Baby with a courageous stand in real life too.
@Fan : Was Fawad part of this film initially? I didn't know that.
Anup : A Wednesday is a once in a generation film that might never be recreated. Special 26 was interesting and Baby was a notch above that. MSD is in the biopic genre and his weakest movie till date imo, still a decent one time watch nevertheless.
I am surprised that none of the regular wogma users have watched this movie as yet to indulge in a discussion. After further thought though, I personally cannot help but get a feeling that this movie has perhaps been made to cater to MSD and portray him as a holier than thou who could do no wrong. No wonder, it does not work as well as a usual biopic should. Biopics need to delve on the vulnerable and no so perfect aspects of the individual too. None of which is a part of this film. Aspects like the IPL CSK match fixing allegations, MSD's rift with the seniors as well as the 13 embarrassing overseas test defeats between 2011-14 have all been conveniently given a miss.
@Admin : I committed the cardinal sin of calling Naseer mediocre and Anurag a flop director. Please [delete the comment partially as it amounts to personal attack] :P