wogma rating: Even the keen, wait for it to come on TV/online (?)
When a Rohit Shetty film moves away from exploding cars to make way for forcefully imploding emotions–it is a step in the right direction. Only a teeny-tiny one though because the ‘women empowerment’ bit is still a huge charade.Read more
When I heard of a film called Simmba and saw Ranveer Singh wearing a police officer’s costume, the first thing that came to mind was Singham and then, Dabangg. I didn’t know who the director was. That is how predictable the film will be.
What’s more, as the trailer began and you see Ranveer Singh being this corrupt cop, you begin to tell yourself, “Do I really need to watch the film to know that he is going to turn good because of someone close to him?” Guess what? They let you in on that in the trailer itself!
Then all you are left with is to hope for decent antics by Ranveer Singh and see if Sara Ali Khan’s freshness extends to her second film. Though, this role seems to be about the same as the one in Kedarnath. So, looks like we have repeats at different levels to close 2018.
Simmba releases on 28 December, 2018.
- meeta, a part of the audience
You know the attitude towards audience is changing for the better when the makers of the Golmaal series make an attempt to have a story with a conscience and a soul. It is a completely different matter that they are still far, far away from them walking the talk. In this particular case, I am referring to the superficial attempt at ‘woman empowerment’. It will take real courage and an outside-in change in mindset for Rohit Shetty films to truly empower women. Until then though, we can call it a good start–quite literally because it is only in the first half.
It doesn’t help that a valid point such as stalking being inappropriate even if it is done without the intention of harassing is almost immediately negated by Simmba stalking the lead lady and a song with lyrics that endorse cat-calling and eve-teasing.
To begin with there is a glimmer of content. While you want to leave the theater every time they try to force emotion out of you in the second half, the attempt at decent writing in the first half, one-liners and situations included, is a heartening change and hopefully indicative of a trend. Sure the lines are a tad repetitive even in before intermission and the melodrama is overbearing and overdrawn after half time. But, you cannot deny that you are a tad surprised by the mature humor in the first hour.
The themes seem a little different from the norms of the genre too. Our protagonist, Simmba (Ranveer Singh) is so enamoured by the power of power that he is actually inspired by corruption. I actually sensed a sarcastic comment if not a satirical commentary on the ways of society in the beginning of the film. In fact, Simmba also is no Robin Hood but an orphan in search of familial warmth who actually is found seeking a familial connect with the people he meets. We really don’t expect characters of this film to have layers.
There are some surprising elements in writing too. You don’t really expect a film like Simmba to take off on a tangent about parenting. Whether it is Simmba blaming his lure to corruption or a lady admonishing a rapist’s mom for not having taught her son better, the onus on parents comes out of nowhere. Just like the attack on government programmes such as the girl education drive come out of the blue too. While these themes are mentioned only once or twice, others like the call on conscience by a nagging honest police are repeated so often that they lose the value they might have had.
Fortunately, the writing of the situations is pretty direct for Hindi films. Often in the first half, there is no beating around bush, characters see through expressions and are outspoken about them. The dialogue is better too. It is snappy and witty. The signature dialogue works the first time but makes you feel like the writers couldn’t write anything better when it is repeated so often. Unfortunately and fortunately, both the wit and the repetition go missing in the second half. However, overbearing melodrama takes over and doesn’t end right until the last scene, elongating the film way too much.
On the other hand, it was good to see decent performances overall. Sure, almost each actor was unnecessarily loud and over-acting. But, it felt like it was more because it was the director’s brief and not because the actors can’t deliver a restrained performance. Given that that was the demand of the film, I alternated between being in awe of Ranveer Singh’s screen presence and squirming at his over-bearing performance. The spunk he adds is enough to make you wonder if he contributed to bring meaning and the hint of a soul to the Rohit Shetty brand. His comic timing and what seems like improvisation are a hoot. He makes you laugh even at a whatsapp-forward type of a joke. He sings well too and the two times he does it leads to a laugh. The writing of the lines he sings of course are to be given equal credit. The actor brings quirkiness to the run-down theme and chews every scene he is in, standing shoulder-to-shoulder if not over-shadowing even Ajay Devgn. It sure is good to see young blood replace the Salmans, Akshays and Ajays of this genre. For one, it means the star power is slightly less over-powering. Then, the choreographers can attempt better choreography.
Sara Ali Khan on the other hand is shortchanged significantly. For a film beating its chest about woman safety and claiming to empower women, you wonder why the lead lady goes almost 100% missing-in-action in the second half. Even the character who Simmba fondly calls a sister has more screen time than her.
This Rohit Shetty films wears its attitude without cars. And that's not necessarily all good.
It doesn’t help that a valid point such as stalking being inappropriate even if it is done without the intention of harassing is almost immediately negated by Simmba stalking the lead lady and a song with lyrics that endorse cat-calling and eve-teasing. It becomes a clear case of telling us how women being wronged is wrong while showing us that it is ok for a man to use curse words involving the another’s mother. Casual sexism such as a comment on nagging wives makes all the converts all the ‘women empowerment’ attempts into tokenism.
And even so, it is heartening to see it happen. Indeed that is how low our expectations from films are. The irony of seeing a woman stand up against her son and have her being protected by him when a lawyer wants to ask her potentially embarrassing questions is indeed amusing.
But then the list of things that are unintentionally amusing could run long. For instance the weird editing in the ‘aankh maare’ song brings the bewildered smile that you have while watching tacky transitions in wedding videos. The CGI of pants and shirts being lit up suddenly is equally funny too. Similarly, while you have a genuine smile in some of the song visualisation and decent action choreography in the beginning. You smile at yourself for missing cars being blown up and the general machismo associated with this genre. Did they really hear us say, “enough already!”?
This Rohit Shetty films wears its attitude without cars and a series of action sequences. It is by far the least stylistic of his films. Even if on very few occasions, there is a hint of subtlety at some spots? Are the tides really changing, even if every so slowly?
- meeta, a part of the audience
Thumbs up, by Subhash K Jha, Bolly Spice : ...In one elobrate song and dance traditional Maharastrian women are seen riding into the over-saturated frame on mobikes wearing sunglasses. This is the crazy world of Gol Maal which has suddenly woken up to the newspaper headlines. It wants to show a deep respect for women but can’t help chuckling at its own stab at topicality.... full review
Thumbs up, by Taran Adarsh, Bollywood Hungama : ...On the whole, SIMMBA is a sure-shot winner, no two opinions about it. This one will storm the boxoffice. 2018 is sure to conclude with a roar!... full review
Thumbs up, by Ankita Chaurasia, Bollywood Life : ...Anyone who has watched The Lion King, would first think of the cute little lion cub from the film when thinking of Simmba. Not anymore. Ranveer Singh is here to steal the name and also the roar. Simmba provides complete bang for your buck. But it will also make you rue all the years Rohit Shetty and Ranveer Singh have wasted without collaborating. And it will make you wish they come together again and soon. Simmba will ensure you end the year on a high. Watch it with your family and ideally in a single-screen theatre for the complete experience.... full review
Thumbs up, by Deepali Srivastawa, Catch News : ...रणवीर सिंह ने पहली बार एक्शन फिल्म की है और जबरदस्त की है. फिल्म पद्मावत के बाद उनकी साल की ये दूसरी फिल्म है लेकिन वो इससे छा गए. रोहित शेट्टी के साथ पहली बार काम करना और एक्शन और दमदार एक्टिंग का तगड़ा मेल रणवीर सिंह ने खूब निभाया. एक्ट्रेस सारा अली खान की ये दूसरी फिल्म थी और इसमें भी वो छा गई.सारा का सीन भले ही छोटा था लेकिन काफी अच्छी था. उनके चेहरे के भाव और उनकी अदाकारी सभी कुछ एक साथ मिलता है. अगर बात करें सोनू सूद की तो दबंग जैसी फिल्म में जलवा दिखाने के बाद फिर से विलेन के रुप में सोनू खूब जंचे. आशुतोष राणा ने 'धड़क' के बाद इस फिल्म में एक इंस्पेक्टर का किरदार काफी दमदार तरीके से निभाया. कुल मिलाकर आप 'सिंबा' को देखने जा सकते हैं और आप बोर नहीं होंगे.... full review
Thumbs up, by Meena Iyer, DNA : ...Simmba is tried and tested 80s Bollywood formula. But what the hell? If redux songs can be a super hit, retelling formula, 1000-times-over can also be super fun. Go for Simmba with a whistle and a packet of kurkure. This is masala, just ENJOY!... full review
Thumbs up, by Devesh Sharma, Filmfare : ...This is perhaps the only Rohit Shetty film where cars don't fly in the air, though the rest of his trademark action and stunts are all there. On the lines of Marvel or DC's superhero universes, he's trying to built a cop universe of sorts and cameos by Ajay Devgn and Akshay Kumar as policemen proves that. It's a bold move by the director and it would be interesting to see how it unfolds in the future...... full review
Thumbs up, by Madhuri V, Flimi Beat : ...Coming to the music, Aankh Maare leaves your feet tapping with some nostalgia bytes with Arshad Warsi's appearance in the song. Tere Bin gives you plenty of romantic feels. Read more at: https://www.filmibeat.com/bollywood/reviews/2018/simmba-movie-review-and-rating-ranveer-singh-sara-ali-khan-280915.html... full review
Thumbs up, by R.M. Vijayakar, India West : ...Sara has nothing much to do, but Ashutosh Rana is fabulous indeed. Arun Nalawade as the old man is perfect, and Siddharth Jadhav as Simmba’s right hand and Vaidehi Parshurami as Akruti make a special mark among all the competent artistes, most of whom are Maharashtrians.... full review
Thumbs up, by Umesh Punwani, koimoi : ...All said and done, Simmba gives us a combo we could cherish forever. The energies of Rohit Shetty & Ranveer Singh just create a combinatorial explosion on screen. The best masala entertainer of the year & it’s for everyone out there. JUST WATCH IT!... full review
Thumbs up, by Kunal Guha, Mumbai Mirror : ...Shetty navigates familiar ground in this formula film. It is Read more at: https://mumbaimirror.indiatimes.com/entertainment/movie-review/simmba-movie-review-ranveer-singh-sara-ali-khan-starrer-simba-is-a-masala-entertainer-that-packs-in-laughs-drama-dishooms-and-a-lot-more/articleshow/67279830.cms?utm_source=contentofinterest&utm_medium=text&utm_campaign=cppst... full review
Thumbs up, by Manisha Lakhe, Now Running.com : ...A street smart orphan realises that the corrupt cops have money and power, so he grows up to become one. Ranveer Singh crackles in the title role of Simmba and wins us over in this simple tale of bad cop turning into gold. Eminently watchable!... full review
Thumbs up, by Urvi Parikh, Rediff : ...Rohit Shetty does full justice to the movie and incorporates his age-old formula of making masala films. His tried and tested method will surely bring results yet again.... full review
Thumbs up, by Ronak Kotecha, Times of India : ...But overall, Simmba is a potboiler that you expect it to be, where the good surely outweighs the bad. There are enough paisa vasool moments including the cameo by the original Singham, Ajay Devgn. And it doesn’t end there. Shetty leaves you with a parting shot of another superstar already revealing the first look of his offering in 2019.... full review
So-So, by Devansh Sharma, FirstPost : ...Simmba is a Ranveer Singh vehicle. Though an Ajay Devgn pops in to save the day in the climax, Ranveer impresses for most part of the film, particularly in his interaction with the supporting cast, including the why-always-a-baddie Sonu Sood, the thank-god-not-a-baddy-again Ashutosh Rana and a perennially confused Sarita Joshi. But his overriding schmooze remains with Shetty as they dazzle on a date that would not have gone wrong, had it not been an inconsistent affair.... full review
So-So, by Johnson Thomas, Free Press Journal : ...So the film’s moral compass is totally warped, the titular character’s actions are politically incorrect and the ludicrous buffaloing makes it all so inconsequential and mindless. The second half even tends to tedium. Writers Yunus Sajawal and Farhad Samji make empty-headedness their requiem, of sorts. But Ranveer Singh’s psyched-up vitality, Sara Ali Khan’s savvy confidence and a whole bunch of supporting actors (largely from the Marathi film industry), create an affect that is both eye-pleasing as well as fairly ameliorating. And that’s exactly why this film might appeal to a certain demographic.... full review
So-So, by Raja Sen, Hindustan Times : ...At the end, we’re teased with the glimpse of another hirsute alpha male joining this franchise next year. These men don’t need women. The sequel could be called Threesome.... full review
So-So, by Samrudhi Ghosh, india today : ...Throughout Simmba, there are constant references to Singham. In fact, when Ranveer dons the khaki for the very first time, the Singham title track plays in the background. In Simmba, Ranveer has successfully taken on the mantle from Ajay.... full review
So-So, indiaglitz : ...Overall, Simmba is a perfect finish for Bollywood and movie goers. The film offers the most important aspect that cinema evolved for – ENTERTAINMENT, that too unlimited. Leave your logic and brains outside, might have a good time.... full review
So-So, by Mayank Shekhar, MiD DAY : ...The script can be full of holes. You hope your brain isn't. This is how I caught this picture, with folk in the front-benches-whistling, clapping, making loud noises, and then going quiet, during dramatic sequences.... full review
So-So, by Rajeev Masand, News18.com : ...I suspect this film will polarize viewers. There will be those who will enjoy the broad-strokes storytelling and gladly submit to the overt manipulation. Others might have a problem with the irresponsible messaging. No points for guessing which lot I belong to.... full review
Thumbs down, by Bobby Sing, Bobby Talks Cinema.com : ...In short, SIMMBA can only be seen, if you must, for Ranveer Singh’s spirited, likable act, the freshness of Sara Ali Khan in her very few scenes and the social concern it raises regarding the growing number of rapes in our present society. However, since a lot more interesting, thought provoking and intriguing, must watch stuff is available online in your home for a nominal subscription, I would not recommend spending your precious time and money on such strictly average releases offering you nothing new.... full review
Thumbs down, by Mayur Sanap, Deccan Chronicle : ...At the end, Simmba is just another serviceable action movie that tastes like salted popcorn. It tastes good while it lasts, but eventually you end up rather dry and thirsty. It is all about glam and no substance. Although, if you are seeing this film, than this is what you are expecting.... full review
Thumbs down, by Rahul Desai, Film Companion : ...The most disheartening part about Simmba is its bipolar pursuit of relevance. The setup was the film; there was no need to embrace the guileless-sermon path. Just letting Singh play the fool, without hindrance, might have finally lent credence to the Rohit Shetty School of non-storytelling.... full review
Thumbs down, by Nandini Ramnath, Scroll.in : ...Ranveer Singh’s energy and flamboyance ensure that Simmba appears more engaging than it often is, and Ajay Devgn’s well-timed cameo rescues the film from being a write-off. Simbba is all about its male movie stars. Sara Ali Khan has fewer scenes than some of the other characters, including Siddharth Jadhav as a member of Simmba’s posse. The movie has no use for her Shagun – so much for being on the side of women.... full review
Thumbs down, by Namrata Joshi, The Hindu : ...Be it as brutal violators or patronising saviours of women, Simmba shows that it all boils down to the same toxic masculinity which the men behind Simmba have been perpetuating film after film.... full review
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